Race is such an amazingly complex issue in America, and one which I am regularly asked about overseas, particularly since the emergence of Barack Obama as a genuine contender for the presidency. Of course, it is not just an “issue” – those complexities equate to a legacy and an ongoing nightmare of suffering – of impoverishment, marginalization, violence, waste, neglect, “dreams deferred.”
Music has always been one of the meeting grounds, and also battle grounds, of black and white in the United States. The recurring meetings and mash-ups within American music of black sounds and white sounds – the clashes and combinations, recuperations and reverberations – have created the sound of the 20th century, and are responsible for the bulk of the United States’ genuine contributions to world culture: jazz, blues, R&B, rock ‘n roll and hip hop.